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Open a larger version of the following image in a popup: THE APPULDURCOMBE ARMCHAIRS, English, between 1776 and 1778
Open a larger version of the following image in a popup: THE APPULDURCOMBE ARMCHAIRS, English, between 1776 and 1778
Open a larger version of the following image in a popup: THE APPULDURCOMBE ARMCHAIRS, English, between 1776 and 1778

THE APPULDURCOMBE ARMCHAIRS, English, between 1776 and 1778

Height: 37 ¼ in; 94.5 cm
Height of seat: 17 ½ in; 44.5 cm
Width: 24 ½ in; 62 cm
Depth: 24 ¾ in; 62.5 cm
4494831
£100,000 +
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A pair of George III giltwood open armchairs by Thomas Chippendale. Note: The chairs retain the original floral tapestry covers. The gilding has been refreshed. THE APPULDURCOMBE COMMISSION, 1776–1778 Sir...
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A pair of George III giltwood open armchairs by Thomas Chippendale.

Note: The chairs retain the original floral tapestry covers. The gilding has been refreshed.

THE APPULDURCOMBE COMMISSION, 1776–1778

Sir Richard Worsley’s bank records survive at Hoare’s Bank in London, where these five substantial payments were made between the years 1776 and 1778:

2 March 1776 To Chippendale & Co. £980 -- --
27 March 1776 To Chippendale & Co. £75 -- --
2 December 1776 To Chippendale & Co. £83 4 9
4 March 1778 To Chippendale & Co. £1000 -- --
14 April 1778 To Chippendale & Co. £500 -- --

Sir Richard Worsley inherited the house and estate of Appuldurcombe on the Isle of Wight, England, in 1768. When he embarked on refurbishing Appuldurcombe in 1774, he chose Chippendale to supply the furnishings for the house in the latest neoclassical fashion.

Sir Richard also ordered tapestries from the Gobelins factory in Paris, as he passed through on his way back home from the Grand Tour. He was one of a select group of six English clients who placed orders at the factory during the lull between the Peace of Paris of 1763 and the start of the French Revolution in 1789. The other patrons were the Earl of Coventry, William Weddell, Sir Henry Bridgeman, Sir Lawrence Dundas and Robert Child. According to the inventory, the wall panels ordered depicted the Arts and Sciences, following a design used for the Marquis of Marigny and Madame de Pompadour. The design of the seat covers is attributed to Jean-Baptiste Monnoyer (1636–1699), who is known to have supplied designs to the Gobelins factory in the 17th century. These designs were still in use one hundred years later.

Sir Richard married Seymour Dorothy Flemming, stepdaughter of Edwin Lascelles. The connection to the Lascelles family and through them to Harewood House is possibly another reason why Worsley commissioned the furnishings for Appuldurcombe from the Chippendale workshop. The marriage, however, ended in scandal and a subsequent court case which made Worsley notorious throughout the country and forced him to retreat abroad. After several years in Spain, Portugal and France, Sir Richard returned to Appuldurcombe and died in 1805.

Through his daughter’s marriage, Appuldurcombe passed to the Earl of Yarborough. Some of the contents were moved to the Yarborough family seat of Brocklesby Park in Lincolnshire, England. Appuldurcombe House was eventually sold in 1855, and today the house is a mere shadow of its former glory.

The Chippendale suite passed through the hands of numerous owners, including the Maharaja of Baroda, and during his ownership it was still a complete set of eight chairs and a sofa. Two chairs from the suite were formerly with Apter-Fredericks; the same pair, formerly with Mallett & Son, is illustrated in Lanto Synge’s book on chairs. The sofa and the other four chairs have not yet been traced.

Apart from considerable payments to Chippendale between 1776 and 1778, comparatively little is known about the furniture Chippendale supplied to the house. An inventory from 1779 at Appuldurcombe mentions the suite as ‘8 Cabriole elbow chairs carv’d & gilt in burnish’d gold & cover’d with Gobelins Tapestry. A Sofa to match, cover’d wt. Do.’

Stylistically the chairs fit perfectly into the company’s late 1770s oeuvre and are consistent with Thomas Chippendale junior’s influence on the company’s output. The flared, reeded legs can be seen on many of Chippendale junior’s neoclassical designs.

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Provenance

Sir Richard Worsley (1751 - 1805), 7th Baronet of Appuldurcombe, Isle of Wight, England;
The Maharaja of Baroda;
The property of a gentleman, until 1968;
Mallett & Son Ltd. London, England;
Private collection, London, England.

Literature

Archives of Hoare’s Bank, London, Sir Richard Worsley’s account, 1776, Ledger 89, folios 17-457.
Eileen Harris, ‘Adam and the Gobelins’, Apollo, April 1962, p.102.
Lindsay Boynton, ‘Inventory of Appuldurcombe’, Furniture History Journal, 1964, pp. 37-58.
Christopher Gilbert, The Life and Work of Thomas Chippendale, 1978, vol. I, pp. 280–82.

Illustrated:
Christie, Manson & Woods, ‘English Clocks and Objects of Art - Fine English Furniture - Textiles, Rugs and Carpets’, sale catalogue, London, 20 June 1968, p. 26, lot 110.
Lanto Synge, Chairs, 1978, pl. 56.
Apter-Fredericks, no title, pamphlet, 2009, no page numbers.

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+44 (0)20 7493 2341

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26 Bruton Street,
London, W1J 6QL

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